Shiny Eyes 845 SET Amplifier — Monoblocks — 2026

It has been a while since I started thinking about designing a high-performance, reliable 845 DHT amplifier. From the very beginning, I wanted to build an amplifier around the 845 that would combine the power and authority of this transmitting triode with the refinement, low distortion, and musicality expected from a high-end SET design.

As with any serious SET project, the first step was selecting the output transformer. Once the output transformer was chosen, the required B+ voltage, operating point, and power-supply requirements could be established around the characteristics of the 845. I ultimately settled on the ISO Tango FC-30-10S output transformer, which led to a B+ of approximately 1,000 V. The amplifier is capable of approximately 18 W of clean output power before gradually entering clipping.

The second major design decision was the driver. The 845 requires a substantial drive voltage—approximately 100 Vrms to reach full power—while maintaining very low distortion. This significantly limits the number of suitable driver configurations.

I chose a 300B DHT, loaded by a Lundahl LL1677 interstage transformer. The LL1677 was specifically designed with the 300B in mind and provides an excellent combination of bandwidth, linearity, and drive capability. The result is a very clean drive signal to the 845, even when the amplifier is operating close to full output.

For the input stage, the 6J5 was chosen primarily for its gain characteristics and sonic qualities. It provides the gain required while contributing very little coloration to the overall amplifier.

One of my primary goals was to make the amplifier as quiet as possible, with extremely low hum and ripple. Many compact SET amplifiers using 211 or 845 tubes can produce audible hum when paired with high-sensitivity loudspeakers. I wanted to eliminate that limitation as much as possible.

Several measures were taken to achieve this.

1. Separate Filament Power Supplies

Each tube has its own dedicated filament supply.

The 845 filament supply uses a 100 VA Antek toroidal transformer, MBR1635 rectifiers, and a CRC filter with approximately 80,000 µF of total capacitance and a ripple-current capability of approximately 12 A. The filtered DC is then regulated by a Coleman filament regulator.

A GE panel meter and precision potentiometer are mounted on the front panel, allowing the 845 filament voltage to be monitored and adjusted. The filament is set to 10 V at steady-state operation, after the amplifier has reached full operating temperature, typically after 30–60 minutes.

The 300B filament supply uses a separate dual-bobbin Triad power transformer and an LT1529 ultra-low-dropout regulator.

The 6J5 filament supply uses a dedicated LD1085 low-dropout regulator.

Separating the filament supplies in this way minimizes interaction between the stages and helps keep filament-related noise from reaching the audio signal.

2. High-Voltage Power Supply

The 845 high-voltage supply uses a hybrid bridge rectifier, combining SF1600 diodes with 6CL3 damper diodes.

Filtering is accomplished with a CLC network using MKP capacitors rated at 1,200 V, selected for their long life, stability, and reliability in a high-voltage environment.

The main choke is a Lundahl LL2742 17H choke, configured in a common-mode rejection arrangement. The combination of the hybrid rectifier, high-voltage MKP capacitors, and large inductance provides exceptionally effective filtering of the high-voltage supply.

3. 845 Bias and Current Adjustment

The 845 operates in a quasi-fixed-bias configuration. The negative bias voltage is adjustable through a Coleman bias regulator, allowing the operating point to be precisely set.

A 150 mA full-scale panel meter is provided, together with a precision adjustment potentiometer. This allows the 845 plate current to be set in the 55–65 mA range.

The negative bias supply has its own dedicated raw power-supply board, further isolating it from the other amplifier circuits.

4. Dedicated Driver and Input-Stage Power Supplies

The driver and input stages have their own dedicated Antek power transformer.

The high-voltage supply uses full-wave rectification with 6AX4 tubes, followed by a CLC filter.

Additional filtering is used for each stage. The 300B driver incorporates a CCS-capacitor filter, while the 6J5 input stage uses an additional RC filter.

The 6J5 is self-biased and loaded by a CCS to achieve very low distortion.

The 300B driver operates at approximately 300 V and 60 mA with constant-current loading. This operating point provides excellent linearity and also allows the use of virtually any 300B, including specialized tubes such as the EML 300B Mesh.

Slow Start and Protection

The amplifier incorporates a carefully controlled slow-start sequence. This provides several important benefits: reduced stress on tubes and other components, elimination of unpleasant turn-on and turn-off transients, and sufficient time for the 845 filament voltage to be checked and adjusted before the high voltage is applied.

Because of the considerable cost of the output transformers, I also included a 200 mA protection fuse in the output stage. Its purpose is to protect the output transformer in the event of an 845 failure that could result in excessive current through the transformer primary.

Construction and Layout

Every component was selected according to its specific function and its potential influence on the final sound.

The physical layout was given the same level of attention as the circuit design. Particular consideration was given to:

  • Minimizing power-supply ripple and noise coupling
  • Keeping signal paths short
  • Separating sensitive signal circuits from high-current power-supply wiring
  • Managing the substantial heat generated by the 845
  • Proper grounding and circuit isolation
  • Mechanical placement of transformers, chokes, and other magnetic components

The goal was not simply to build a technically impressive amplifier, but to create a complete system in which every part of the design contributes to the final result.

The Result

The result is an amplifier that combines power, control, smoothness, and refinement in a way that is characteristic of a well-executed 845 SET, while maintaining unusually low noise for an amplifier of this type.

It sounds forceful yet smooth, clean yet detailed, powerful yet musical. The presentation has excellent impact and authority without becoming aggressive or overly analytical.

With 18 watts of clean single-ended power, the amplifier should be capable of driving a wide range of loudspeakers, including many moderately sensitive designs.

Specifications

SpecificationPerformance
Maximum clean output power18 W/channel
Input sensitivity for maximum output0.7 Vrms
Output impedance3.5 Ω
Frequency response±0.5 dB, 20 Hz–20 kHz @ 8 W
THD1.9% @ 8 W
Dominant distortion component2nd harmonic
Harmonic characterSmooth harmonic decay
Power consumption210 W/channel

The measured THD and harmonic spectrum will vary somewhat depending on the individual 300B and 845 tubes used. Higher-quality, more linear tubes can produce measurably lower distortion and may also provide a cleaner and more refined presentation.

Shiny Eyes 845 SET Monoblocks — 2026

A design built around the 845 not simply for its power, but for the combination of authority, musicality, simplicity, and refinement that a properly executed DHT single-ended amplifier can deliver.

Special 26 DHT Preamplifier — Engineered with a Separate Power Supply for Superior Performance

This is a truly one-of-a-kind preamplifier built around the legendary Type 26 direct-heated triode (DHT), renowned for its exceptionally pure, natural, and transparent sound signature.

The design utilizes a fully separated dual-chassis architecture, with the power supply housed independently from the main preamplifier section. The custom screened umbilical cable carries DC only, minimizing noise and ensuring optimal isolation from AC radiation — a critical consideration when working with sensitive DHT tubes such as the Type 26.

Special attention was given to achieving ultra-low noise and minimal microphonics. Since Type 26 tubes are highly susceptible to hum and interference from nearby AC fields, the isolated power supply configuration significantly improves performance.

The power supply chassis contains:
• Independent filament supplies for each Type 26 tube
• Regulated DC supply for the remote-control circuitry
• Dedicated high-voltage supply section

Each filament supply employs 40,000uF of filtering capacitance alongside highly regarded Coleman filament regulators operating as constant current sources (CCS). High voltage rectification is handled by a 6BY5GA tube rectifier feeding a CLCLC filter network, followed by a MOSFET shunt regulator capable of reducing ripple to microvolt levels.

Protection circuitry includes:
• One rear-panel 1.5A slow-blow main fuse
• Two independent 0.75A slow-blow filament supply fuses

The main power transformer is a premium Hashimoto unit equipped with an internal thermal fuse for enhanced safety. Because this fuse is non-replaceable, the use of a properly calibrated, high-quality 1.5–1.6A slow-blow fuse is essential to prevent irreversible transformer damage.

The power supply connects to the preamp chassis via a custom-built screened umbilical cable terminated with military-grade Amphenol connectors. Each connector is uniquely matched to its enclosure to prevent incorrect connection and ensure operational safety.

The main preamp chassis incorporates:
• High-voltage shunt regulator
• Single-stage amplification circuit
• Remote-controlled volume control

The signal path is intentionally minimalist and completely free of coupling or decoupling capacitors. This was achieved through:
• Filament bias topology using a low-value 10-ohm resistor without bypass capacitors
• Lundahl LL2763NC nanocrystalline output transformers

A Hoyt USA analog panel meter monitors filament voltage for each channel via a left-center-right toggle switch:
• Left: left channel measurement
• Center: meter disengaged
• Right: right channel measurement

Precision potentiometers on each side of the meter allow fine adjustment of filament voltage between 1.4V and 1.5V. Lower filament voltage reduces microphonics and may be adjusted down to approximately 1.2–1.3V depending on tube characteristics, while maintaining visible filament glow. A 1.4V setting generally provides the best balance between low microphonics and optimal output impedance.

The Lundahl output transformers feature four secondary windings with selectable gain configurations accessible via rear-panel switches:
• High gain: 12–13dB, 2:1 output ratio, 2400-ohm output impedance
• Low gain: 6–7dB, 4:1 output ratio, 600-ohm output impedance

To further reduce vibration sensitivity, the tube sockets are mounted on a floating sub-plate suspended by four neoprene damping standoffs. Tubes should be inserted and removed carefully to minimize mechanical stress.

Volume control is handled by a motorized TKD CP-2511 high-end potentiometer paired with a Bent Audio remote-control system known for exceptionally quiet operation.

Additional features:
• 1 input / 2 outputs
• Heavy-duty 1/8” aluminum chassis by Landfall Systems
• Custom CNC-machined and anodized top plate by Front Panel Express
• Hand-finished ¾” Peruvian walnut exterior with General Finishes Antique Oil urethane

Performance Specifications:
• THD: 0.02% (predominantly second harmonic) at 2Vrms output
• Frequency response: 30Hz–30kHz ±0.5dB (-1dB at 20Hz)
• Output impedance: 600 ohms (low gain), 2400 ohms (high gain)
• Gain: 6–7dB (low), 12–13dB (high)
• Power consumption: 70W
• Main fuse: 1.5A slow-blow

Dimensions & Weight:
• Main chassis: 19 lbs — 12.5” x 15” x 9”
• Power supply chassis: 22 lbs — 11.5” x 15” x 9”

The result is a preamplifier with a smooth, clean, highly resolving, and remarkably natural presentation.

Radu’s Shiny Eyes PSE 4P1L Sublime HP amp and high gain preamp

This project started when I found a pair of LL2765/75mA amorphous core waiting to be used. I’ve built a 300B HP amp using these types of transformers. I needed something different. I needed an HP amp that was more versatile and could be used as a high gain preamp and low cost tubes, the power being preferable DHTs. The DHP wired triode 4P1L was the proper tube for this implementation. I’ve been successful building several PSE4P1L amplifiers and tried them on headphones. The result was a very pleasant (2nd harmonic predominant), quick and clean sound. 4P1L in triode mode has quite a bit of input capacitance and 2 in parallel will give the driver about 400pF to deal with. Therefore, the driver must be a powerful one and considering the gain I needed, I chose and tested the 6H30PI and the 6H6P. These are inexpensive tubes and a very good match to the 4P1L. I initially considered a dual chassis HP amp. However, I was confident I can make it quiet in one enclosure, and I did. Despite my efforts to make it as compact as possible, the amp/preamp enclosure is 19.25×15.5×11” ( WXDXH) and weights 45 lbs.

The power supply section takes about 2/3 of the real estate. It has an audio grade 200VA Antek toroidal that powers the high voltage and the DC filament regulator for the driver. There are 2 separate supplies for each of the 2x4P1L filaments and it is regulated by the highly praised Coleman filament regulators. The high voltage is tube rectified, using TV dampers 6CJ3, and CLCLC filtered using Lundahl LL2742 chokes in CMMR configuration for the highest common mode ripple rejection. This power supply provides DC all around and makes this HP amp/preamp very quiet.

The signal section of the amp is very simple. The driver is loaded on a CCS and it is capacitor coupled to the power stage. The power stage is loaded on the Lundahl LL2765AM/75mA and it is self-biased as well as the driver stage. I implemented it with high quality and appropriate type of parts and materials.

The chassis is made of 5/4” American cherry hardwood stained with General finishes Antique walnut and coated with 5 coats of General finishes oil based topcoat. The top plate is a sturdy 1/8” brushed aluminum that holds all the equipment besides the IEC which is installed on the back of the wood chassis.

The exquisite sound headphone amp is provided with a high Quality Neutrik phone jack. The volume pot is a TKD CP2511 and a 1.5” NOS bakelite knob. There are few features on the top plate:

  • On the left side is the mains On/Off switch
  • In the middle there is a 500mA NOS Hoyt panel meter. This measures the high voltage supply current which should be around 170mA
  • On the right side there are 2 sets of RCAs. One in the back is the input and the other the output when used as a preamplifier.
  • On each side of the 4P1L tubes there is a set of tip jack insulated test points. Measuring the voltage (either side) you will basically read the total plate current of the corresponding channel. The voltage in mV corresponds to the current in mA.

The spec measurements of this device showed the following:

  • Maximum output power is 3W on 32 ohms headphones, 0.56W on 120 ohms and 0.22W on 300 ohms
  • The input sensitivity is about 0.9Vrms (6H30PI driver) and 0.6Vrms (6H6P driver) for full power output.
  • Output impedance of this HP amp/preamp is around 7 ohms
  • The frequency response is 20Hz-20kHz +/- 0.5dB
  • The THD is 0.55% at 1W on 32 ohms, 0.81% at 2W on 32 ohms
  • The overall gain is 19dB when using the 6H30PI driver, and 22dB when using the 6H6P driver
  • The max output voltage is 8Vrms
  • Power consumption 130W