Shiny Eyes 845 SET Amplifier — Monoblocks — 2026

It has been a while since I started thinking about designing a high-performance, reliable 845 DHT amplifier. From the very beginning, I wanted to build an amplifier around the 845 that would combine the power and authority of this transmitting triode with the refinement, low distortion, and musicality expected from a high-end SET design.

As with any serious SET project, the first step was selecting the output transformer. Once the output transformer was chosen, the required B+ voltage, operating point, and power-supply requirements could be established around the characteristics of the 845. I ultimately settled on the ISO Tango FC-30-10S output transformer, which led to a B+ of approximately 1,000 V. The amplifier is capable of approximately 18 W of clean output power before gradually entering clipping.

The second major design decision was the driver. The 845 requires a substantial drive voltage—approximately 100 Vrms to reach full power—while maintaining very low distortion. This significantly limits the number of suitable driver configurations.

I chose a 300B DHT, loaded by a Lundahl LL1677 interstage transformer. The LL1677 was specifically designed with the 300B in mind and provides an excellent combination of bandwidth, linearity, and drive capability. The result is a very clean drive signal to the 845, even when the amplifier is operating close to full output.

For the input stage, the 6J5 was chosen primarily for its gain characteristics and sonic qualities. It provides the gain required while contributing very little coloration to the overall amplifier.

One of my primary goals was to make the amplifier as quiet as possible, with extremely low hum and ripple. Many compact SET amplifiers using 211 or 845 tubes can produce audible hum when paired with high-sensitivity loudspeakers. I wanted to eliminate that limitation as much as possible.

Several measures were taken to achieve this.

1. Separate Filament Power Supplies

Each tube has its own dedicated filament supply.

The 845 filament supply uses a 100 VA Antek toroidal transformer, MBR1635 rectifiers, and a CRC filter with approximately 80,000 µF of total capacitance and a ripple-current capability of approximately 12 A. The filtered DC is then regulated by a Coleman filament regulator.

A GE panel meter and precision potentiometer are mounted on the front panel, allowing the 845 filament voltage to be monitored and adjusted. The filament is set to 10 V at steady-state operation, after the amplifier has reached full operating temperature, typically after 30–60 minutes.

The 300B filament supply uses a separate dual-bobbin Triad power transformer and an LT1529 ultra-low-dropout regulator.

The 6J5 filament supply uses a dedicated LD1085 low-dropout regulator.

Separating the filament supplies in this way minimizes interaction between the stages and helps keep filament-related noise from reaching the audio signal.

2. High-Voltage Power Supply

The 845 high-voltage supply uses a hybrid bridge rectifier, combining SF1600 diodes with 6CL3 damper diodes.

Filtering is accomplished with a CLC network using MKP capacitors rated at 1,200 V, selected for their long life, stability, and reliability in a high-voltage environment.

The main choke is a Lundahl LL2742 17H choke, configured in a common-mode rejection arrangement. The combination of the hybrid rectifier, high-voltage MKP capacitors, and large inductance provides exceptionally effective filtering of the high-voltage supply.

3. 845 Bias and Current Adjustment

The 845 operates in a quasi-fixed-bias configuration. The negative bias voltage is adjustable through a Coleman bias regulator, allowing the operating point to be precisely set.

A 150 mA full-scale panel meter is provided, together with a precision adjustment potentiometer. This allows the 845 plate current to be set in the 55–65 mA range.

The negative bias supply has its own dedicated raw power-supply board, further isolating it from the other amplifier circuits.

4. Dedicated Driver and Input-Stage Power Supplies

The driver and input stages have their own dedicated Antek power transformer.

The high-voltage supply uses full-wave rectification with 6AX4 tubes, followed by a CLC filter.

Additional filtering is used for each stage. The 300B driver incorporates a CCS-capacitor filter, while the 6J5 input stage uses an additional RC filter.

The 6J5 is self-biased and loaded by a CCS to achieve very low distortion.

The 300B driver operates at approximately 300 V and 60 mA with constant-current loading. This operating point provides excellent linearity and also allows the use of virtually any 300B, including specialized tubes such as the EML 300B Mesh.

Slow Start and Protection

The amplifier incorporates a carefully controlled slow-start sequence. This provides several important benefits: reduced stress on tubes and other components, elimination of unpleasant turn-on and turn-off transients, and sufficient time for the 845 filament voltage to be checked and adjusted before the high voltage is applied.

Because of the considerable cost of the output transformers, I also included a 200 mA protection fuse in the output stage. Its purpose is to protect the output transformer in the event of an 845 failure that could result in excessive current through the transformer primary.

Construction and Layout

Every component was selected according to its specific function and its potential influence on the final sound.

The physical layout was given the same level of attention as the circuit design. Particular consideration was given to:

  • Minimizing power-supply ripple and noise coupling
  • Keeping signal paths short
  • Separating sensitive signal circuits from high-current power-supply wiring
  • Managing the substantial heat generated by the 845
  • Proper grounding and circuit isolation
  • Mechanical placement of transformers, chokes, and other magnetic components

The goal was not simply to build a technically impressive amplifier, but to create a complete system in which every part of the design contributes to the final result.

The Result

The result is an amplifier that combines power, control, smoothness, and refinement in a way that is characteristic of a well-executed 845 SET, while maintaining unusually low noise for an amplifier of this type.

It sounds forceful yet smooth, clean yet detailed, powerful yet musical. The presentation has excellent impact and authority without becoming aggressive or overly analytical.

With 18 watts of clean single-ended power, the amplifier should be capable of driving a wide range of loudspeakers, including many moderately sensitive designs.

Specifications

SpecificationPerformance
Maximum clean output power18 W/channel
Input sensitivity for maximum output0.7 Vrms
Output impedance3.5 Ω
Frequency response±0.5 dB, 20 Hz–20 kHz @ 8 W
THD1.9% @ 8 W
Dominant distortion component2nd harmonic
Harmonic characterSmooth harmonic decay
Power consumption210 W/channel

The measured THD and harmonic spectrum will vary somewhat depending on the individual 300B and 845 tubes used. Higher-quality, more linear tubes can produce measurably lower distortion and may also provide a cleaner and more refined presentation.

Shiny Eyes 845 SET Monoblocks — 2026

A design built around the 845 not simply for its power, but for the combination of authority, musicality, simplicity, and refinement that a properly executed DHT single-ended amplifier can deliver.

Radu’s Shiny Eyes PSE 4P1L Sublime HP amp and high gain preamp

This project started when I found a pair of LL2765/75mA amorphous core waiting to be used. I’ve built a 300B HP amp using these types of transformers. I needed something different. I needed an HP amp that was more versatile and could be used as a high gain preamp and low cost tubes, the power being preferable DHTs. The DHP wired triode 4P1L was the proper tube for this implementation. I’ve been successful building several PSE4P1L amplifiers and tried them on headphones. The result was a very pleasant (2nd harmonic predominant), quick and clean sound. 4P1L in triode mode has quite a bit of input capacitance and 2 in parallel will give the driver about 400pF to deal with. Therefore, the driver must be a powerful one and considering the gain I needed, I chose and tested the 6H30PI and the 6H6P. These are inexpensive tubes and a very good match to the 4P1L. I initially considered a dual chassis HP amp. However, I was confident I can make it quiet in one enclosure, and I did. Despite my efforts to make it as compact as possible, the amp/preamp enclosure is 19.25×15.5×11” ( WXDXH) and weights 45 lbs.

The power supply section takes about 2/3 of the real estate. It has an audio grade 200VA Antek toroidal that powers the high voltage and the DC filament regulator for the driver. There are 2 separate supplies for each of the 2x4P1L filaments and it is regulated by the highly praised Coleman filament regulators. The high voltage is tube rectified, using TV dampers 6CJ3, and CLCLC filtered using Lundahl LL2742 chokes in CMMR configuration for the highest common mode ripple rejection. This power supply provides DC all around and makes this HP amp/preamp very quiet.

The signal section of the amp is very simple. The driver is loaded on a CCS and it is capacitor coupled to the power stage. The power stage is loaded on the Lundahl LL2765AM/75mA and it is self-biased as well as the driver stage. I implemented it with high quality and appropriate type of parts and materials.

The chassis is made of 5/4” American cherry hardwood stained with General finishes Antique walnut and coated with 5 coats of General finishes oil based topcoat. The top plate is a sturdy 1/8” brushed aluminum that holds all the equipment besides the IEC which is installed on the back of the wood chassis.

The exquisite sound headphone amp is provided with a high Quality Neutrik phone jack. The volume pot is a TKD CP2511 and a 1.5” NOS bakelite knob. There are few features on the top plate:

  • On the left side is the mains On/Off switch
  • In the middle there is a 500mA NOS Hoyt panel meter. This measures the high voltage supply current which should be around 170mA
  • On the right side there are 2 sets of RCAs. One in the back is the input and the other the output when used as a preamplifier.
  • On each side of the 4P1L tubes there is a set of tip jack insulated test points. Measuring the voltage (either side) you will basically read the total plate current of the corresponding channel. The voltage in mV corresponds to the current in mA.

The spec measurements of this device showed the following:

  • Maximum output power is 3W on 32 ohms headphones, 0.56W on 120 ohms and 0.22W on 300 ohms
  • The input sensitivity is about 0.9Vrms (6H30PI driver) and 0.6Vrms (6H6P driver) for full power output.
  • Output impedance of this HP amp/preamp is around 7 ohms
  • The frequency response is 20Hz-20kHz +/- 0.5dB
  • The THD is 0.55% at 1W on 32 ohms, 0.81% at 2W on 32 ohms
  • The overall gain is 19dB when using the 6H30PI driver, and 22dB when using the 6H6P driver
  • The max output voltage is 8Vrms
  • Power consumption 130W

Shiny Eyes 26 DHT Preamplifier

This is a “one of a kind” preamplifier. It uses the 26, an early DHT, capable of a pure sound . Who ever is familiar with the 26 sound can say that it excels in musicality and emotion.

At the demand of the client, the preamplifier was carefully designed in one enclosure. Despite the challenges of a single enclosure DHT preamp, the 26 device is as quiet and as little microphonic as possible. 26 tube is known for picking up noise/hum from proximity to the AC radiating area. I highly recommend a dual enclosure scenario, with a separate power supply. However, if used with low power tube amps that have low to medium overall gain, this preamp will perform great.

The preamp has 2 distinct zones (looking from above): on the right hand side is the power supply zone and on the left hand side is the main signal path zone.

The power supply area is packed with separate supplies for each filament of the 26 tube, the regulated DC for the remote control unit and the high voltage unit. Each 26 tube filament has a raw DC supply using 40,000uF of filtering capacitance per channel, and a much praised Coleman filament regulator. The high voltage supply is using a type 80 tube as rectifier and a CLCLC filter, followed by a special Mosfet shunt regulator that brings the ripple down to uV levels.

The signal path of this preamp is as short as it can be, and free of coupling or decoupling capacitors. That was possible by:

  •  Using filament bias circuit, where the filament is in series with the low value (10 ohms) bias resistor. This resistor doesn’t need to be decoupled. The filament current is adjusted by the Coleman regulator (which is a CCS-constant current source).
  • Using a line output transformer by Lundahl LL2763/7mA

The line output transformers are made by Lundahl in Sweden, and they have 4 balanced secondary windings. There are 3 4PDT switches on the back panel, aligned with the left and right RCAs. If they are all toggled upwards, the gain of the preamp is 12-13dB, and if they are downwards the gain of the preamp is 6-7dB. The high gain position implies a 2:1 output ratio and the output impedance of the preamp is 2200 ohms. The low gain position implies a 4:1 output ratio and the output impedance of the preamp is 600 ohms.

The input of the preamp is DC coupled using a motorized Alps Blue Velvet remote control by Bent Audio. This is a high quality, super quiet remote.

The preamp is provided with 3 inputs switched by a high quality Seiden selector switch made in Japan.

The enclosure is a very sturdy 1/8” thick aluminum chassis by Landfallsystems.

The top plate is custom CNCed and anodized at Front Panel Express. The sides and front are wrapped with ¾” American cheery hardwood that was stained with General Finishes Antique walnut gel stain and coated with 4 layers of oil based urethane.

The preamp will sound smooth, clean and clear sound with 0.05% THD second harmonic predominant at 2Vrms output.